I’m sharing another song via bandcamp today.
Lots more coming.
Here’s our version of “How High The Moon” featuring Madison Rast and Anwar Marshall.
So, I’ve been thinking about this for quite a while.
But it’s time.
I’m sharing new music more often starting today.
Here’s the first one, featuring my brothers Madison Rast on bass and Anwar Marshall on drums.
Thelonious Monk’s Ba-Lue Bolivar Ba-Lues-Are.
Come hang with us at Smalls this weekend! I’m happy to be bringing my quartet featuring Kevin Hays on piano, Joe Martin on bass, and Rudy Royston on drums. We’ll be playing two sets starting at 7:30pm on both Friday and Saturday.
I’m excited to be returning to New Orleans for a performance at my favorite place to play down there, Snug Harbor. I started playing at Snug with my own groups way back in 1996, and we’ve had lots of great shows there over the years. I’ve always wanted to be something of a cross-pollinator, connecting my musical families from New Orleans and New York. This time I’ll be joined by Mike Moreno on guitar, Reuben Rogers on bass and Joe Dyson on drums. Show times are 8pm and 10pm. Get tickets here!
I was early to the self-releasing party. I paid for and released my first record, “Language of Love”, more than 20 years ago, in 1996. We recorded it to tape in Tim Stambaugh’s home studio in New Orleans. It was an exciting time. I felt like I was in control of my own destiny. I was going to own my own masters, and as would naturally follow, I imagined I’d own my own destiny. This was an era, if you remember, when a record could go out of print and disappear – an era when you might record for a major label and get dropped before the record came out. So I really thought I was being smart. Not that I had much hope that a label would be interested in me anyway, but I was aiming for self sufficiency, full artistic control, and most importantly…sustainability; all I hoped to do was make enough back on each record to be able to pay for the next one. This was really not an unrealistic goal. Well…as I’m sure you can imagine, nothing worked out quite like I’d hoped. I won’t go into all the sordid details, but when the streaming revolution happened, I watched my potential earnings on all my self-produced masters turn to dust. Of the 9 records of mine that are out, I own the masters for 7 of them. I basically spent every cent I made on making my own records. As you might imagine, I was reluctant to make them available to be streamed. I refused to even use any of the streaming services out of principle. Then I started experimenting with having some titles available for streaming while others wouldn’t be. Finally I gave in. Mostly it’s because I finally started using the streaming services myself, and I loved having the access. From the consumer standpoint, it’s a no-brainer. It’s so convenient and so well suited to our current technological phone-driven reality. But once I gave in and allowed my records to be streamed I discovered something else problematic. There are so many other artists with my name that my streaming life is completely tangled up with lots of other John Ellises. So although my records are on Spotify and Apple Music, if someone goes there to look for them, they will likely end up listening to someone else’s music. I’ve been trying for a while now to get this all sorted out, but to no avail. The robots that organize all this just don’t care that much. So today I made a Spotify playlist that has a few tracks from all 8 of my albums that are available there. I share it with you here for now, in hopes that at some point in the future, my streaming life will be fully disentangled from all the other John Ellises, so that my capitulation to the current technology at least allows people to hear my music who want to, and I don’t just get drowned out entirely by the shouting of others who share my name.
I’m excited to be presenting my score to Georges Méliès’ Le Voyage Dans La Lune this Friday at The Colburn School’s Thayer Hall in Los Angeles. The score will be performed as part of a program by Colburn’s Contemporary Ensemble under the direction of Ted Atkatz. Showtime is at 8pm. We debuted this piece earlier in the year as a part of the St Barts Music Festival, and you can watch the movie synced with that performance here.
I’m happy to announce that Double-Wide will be in northern California playing at the Arcata Playhouse at 8pm on November 10th. Original DW member Jason Marsalis will be back with us, which doesn’t happen often since he relocated to (Old) Orleans, France. So this will be a treat. It’ll also be nice to have organist Brian Coogan back with us, who joined us on our second album, “Puppet Mischief”. We haven’t had a chance to play together in a while, so it’ll be like a family reunion. All the info you need is right here. We’ll also be making a stop at Moody’s in Truckee on November 11th, on the way back down to the bay area. I haven’t seen my friend JJ Morgan in years, and Moody’s has such a special vibe. Come see us at one of these. [Also a pretty cool non DW gig happening on November 8th at the Blue Whale in LA. That’ll be with Gerald Clayton, Alan Hampton, and Jason Marsalis.]