I’m very lucky to be a part of three great new albums by my friends Joe Sanders, Eden Ladin, and Alan Ferber. Check ’em out!
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On September 16th, Double-Wide will be headlining the first-ever Nanaimo International Jazz Festival in Nanaimo, BC. We’ll be in residence from the 14th through the 16th culminating with our final concert at the Port Theatre in Nanaimo. More info can be found here, and tickets can be purchased here.
I had the great pleasure of composing and recording new music for this podcast, just out today. Check it out!
I played this past January with these guys in St Barts for the St Barts Music Festival. We had such a blast, and so I’m thrilled to be able to present the same group back home in NYC. The band is incredible: Reuben Rogers – bass, Gary Versace – organ/accordion/piano, Joe Dyson – drums, Joel Ross – vibes, and Eric Miller – trombone. We’re playing two sets this Tuesday, August 8th – 7:30 and 9:30pm. Click here for more info and to reserve tickets. You can even livestream the gig here.
The great Tom McDermott was kind enough to review Double-Wide’s CD “Charm”. Check it out below!
John Ellis and Double-Wide
Parade Light Records
John Ellis and Double-Wide is my kind of modern jazz band. There are no endless strings of Coltrane and Brecker licks in this music. Rather you get clever tunes, finely crafted counterpoint, and whopping dollops of humor. And with a lineup of sax, trombone, organ, sousaphone and drums (and occasional accordion), you hear some timbres rarely heard in jazz.
“Charm” is a NYC/Nola potpourri, with the Crescent City represented by sousaphone virtuoso Matt Perrine and the ever-elastic Jason Marsalis on drums. Trombonist Alan Ferber, organist Gary Versace and leader-saxophonist Ellis are NYC residents. This type of fusion often yields great results; and of course, Ellis was a New Orleans resident back in the 1990s.
John wrote all the tunes, and he is very careful on “Charm” to give each track a different stamp. “Booker” is not specifically evocative of the Piano Prince, but has two very catchy tunes, which may have given it opening-song status.
“High and Mighty” is a rambunctious shuffle with some rhythmic breaks from Pluto. The perfectly-titled “Horse Won’t Trot” plods along dolefully in a lopsided 5/4 stutter-step.
Things pick up with Raymond Scottian “Charm is Nearly Always Sinister,” with some ingenious interplay in the statement of the melody between Perrine and Versace. Eastern Europe is summoned up to a degree on “Old Hotel,” with shades of the Tin Hat Trio, and “International Tuba Day,” redolent of the Slavic brass band tradition. “Snake Handler” (tango), “Barbed Wire Britches” (funk), “Yearn” (gospel, but with some outre progressions) – Ellis’ conjures many styles without losing an ounce of his wonderfully quirky personality.
Helen Sung Quartet west coast tour starts on Wednesday featuring: John Ellis (saxophone), Boris Kozlov (bass), Darrell L. Green (drums) – (4/26-4/30), Terreon Gully (drums) – (5/2-5/5), Christie Dashiell (vocals) – (4/28-4/29):
April 26: The John G. Shedd Institute for the Arts – Eugene, OR
April 27: Fremont Theater – Portland, OR
April 28: Bread of Life Church – Torrance, CA
April 29: blue whale – Los Angeles, CA
April 30: Salk Institute – La Jolla, CA
May 2: Yoshi’s Oakland – Oakland, CA
May 3: Unity Spiritual Center – Bellingham, WA
May 4: PONCHO Concert Hall at Cornish College of the Arts – Seattle, WA
May 5: Frankie’s Jazz Club – Vancouver, Canada
More info & tickets can be found at: helensung.com
Looking forward to the first year of this workshop in Singapore this April 8-16! Faculty will be Rory Stuart – guitar, Gregory Hutchinson – drums, Ben Williams – bass, Aaron Goldberg – piano, Jason Palmer – trumpet, and Camila Meza – vocals. Check here for more info.